Corpus Unhearmeticum, by Won James Won

Corpus Unhearmeticum

by Won James Won

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1.	Lodin 02:12	buy track
2.	Lodva 02:52	buy track
3.	2666 Years of Fear (Homage to Roberto Bolano) 10:06	buy track
4.	Midget Slave #1 01:48	buy track
5.	Midget Slave #2 01:41	buy track
6.	Midget Slave #3 01:20	buy track
7.	QuaQua at the Gates Of Moonlight 03:43	buy track
8.	The World History (Lebenswelt vs WOMBA ZAF-Olsky Remix) 06:37	buy track
9.	Mandwille, Texas 03:58	buy track
10.	Karuzel Retorno 10:18	buy track
11.	Govermental Feelindustry Complex Emanation (feat. Filipp Rukaf and Alexei Taroutz) 04:26	buy track
12.	Sisterslicer VIII (Murat Tuzku Extended Remix) 00:21	buy track
13.	Pensioner's Song (The Institute of Night) 06:29	buy track
14.	The World History (WOMBA Red Annihilator Witness Remix) 05:00	buy track
15.	Midget Slave #4 01:04	buy track
16.	Midget Slave #5 00:49	buy track
17.	Midget Slave #6 00:46	buy track
18.	DEISIS II 11:37	buy track
19.	Glistopolis Gland Gniole (bonus cassette single) 06:57	buy track

about

I had the horrible and terrifying impression of living a silent film. Exasperated, I tore off my bandage and buried my pinky into the ear canal; something gave way, a flow of pus gushed out onto my hand and ran onto the neck of my coat. That soothed me a little, but I still could hear almost nothing; the piano, if I turned my ear toward it, seemed to be emitting a watery gurgle; the other ear wasn’t functioning any better; disappointed, I turned aside and slowly walked away.
Jonathan Littell, “Les Bienveillantes”, 2006

Impossible as it seems, the noise grows louder. Call it a noise, why not. One might call it a din, a roar, a clamor, a hammering, a great shriek, a bellow of the gods, but noise is a simple word that serves just as well to describe what has no name. …his recipe for enduring any kind of bombardment is precisely this: drink schnapps, drink cognac, drink brandy, drink grappa, drink whiskey, drink any kind of strong drink, even wine if that’s all there is, to escape the noises, or to confuse the noises with the throbbing and spinning of one’s head.
Roberto Bolaño, “2666”, 2004

Ну да: слух-то – это же воздуха уловитель, его трепета и сказа. Ухо ли глухо? Глух глаз, ухо слепо, тупо на свет… …Поразительно: вся жизнь и работа – стуко-шумовая, так еще и в отдыхе в кафе на танце оглушают предельными децибелами громкости себя и всех. Шумовой апокалипсис. Конец – не света уж, а звука музыкального.
Георгий Гачев, «Музыка и световая цивилизация», 1999

credits

released March 15, 2010

Music by Daniel 271 Smirnov and Tikhon S. Kubov, except 9 by Smirnov-Kubov-Mandwill, 10 by Iogann Mandwill, 11 by Alexei Taroutz.

1-3,7,9,12,18 - recorded and mixed at James Studio, St. Petersburg by D271S / 4-6,8 (WOMBA parts),13-17 - recorded and mixed at BZDOK Studio, Moscow by TSK / 8 – partly recorded by Lebenswelt / 10 - recorded and mixed by Monsieur Mandwill at his lair / 11- captured live at Tabula Rasa club, Moscow by Prof. James Last.

R.A.I.G. Release R051PG

© ZveZdaZ 2021

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Won James Won Russian Federation

www.raig.ru/wonjameswon.asp
en.wikipedia.org/wiki/Won_james_won

zvezdaz.com

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